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Tribute from Charles Addams
From his Foreward to The Cartoons of Cobean
     On the morning of July 2, 1941, I received, at Westhampton Beach, a telephone
call from Watkins Glen.  It was Sam Cobean, whom I hadn't talked to for nearly a
month.  We never saw much of each other in the summer: he went to his farm, and I to
my house on the beach.  It seems he was anxious to arrange, for the following week
end, a marriage of his poodle and mine.  He was especially fond of animals and owned
two dogs, a cat, a cow, and a bad-tempered goose, full of coarse noises.  He had even
recently bought an automobile named after an animal: a Jaguar, very sleek and terribly
fast.
      Sam was a countryman, really.  He was born and raised in and around
Gettysburg.  His cousin Charlie Cobean is still in charge of the Cyclorama there.  Since
the War, he spent considerable time in New York, and in a sense was fond of it--Third
Avenue, Wall Street on Sunday, any time at Madison Square Garden--but the life the
city offered was not for him, nor did he want but a small part of it.  He had bought a
home in Connecticut with a greenhouse, had a lovely wife, and things were headed in
the right direction.  The New Yorker, recognizing his fine talent from the start, was
printing all the Cobeans it could get.  Television was opening up as an additional outlet
for him, and he was doing numerous advertising drawings, which will stand for a long
time as examples of taste and understatement in a field not generally noted for either.
      His drawings were beautiful--he drew more easily than anyone I ever knew. 
Oddly erect before the drawing board, he worked quickly, the pictures moving from his
head to his hand to the paper--and they came out finished--the helpless but
noncommital men, the predatory chippies, and the world's funniest dogs, bums, and
peacocks.  I own about a hundred Cobeans, many of them done when we were in the
Army together.  There was something about me, namely the nose, that amused, even
amazed, Cobean, and he drew it endlessly.  He was carried to great heights by my
nose.  I wish you could see these drawings, besides the remarkable collection in these
pages. 
      On the evening of July 2, 1951, I received at Westhampton Beach a telephone
call from Watkins Glen.  It was Anne Cobean and she said: "Did you hear about Sam? 
He was killed this afternoon in the Jaguar."  As fast as that.  I didn't believe it, not will I
ever, quite.  I hope he knew or at least suspected that he will be long remembered as
one of the great comic artists of all time.
 
CHARLES ADDAMS